
Answering God
Answering God, Eugene H. Peterson. Harper One (ISBN: 9780060665128) 1991.
Summary: Contends that the Psalms, explored here, are necessary instruction in prayer, understood as answering the God who addresses us.
It is not uncommon, when the questioned “How do I pray?” to say something like, “Just talk to God, expressing honestly what is on your heart.” Eugene H. Peterson, while not saying this is wrong, believes there is a lot more to prayer and praying. First of all, he proposes that praying is a tool. He believes that it is at the center of our being human. More than that, he proposes that prayer is a tool by which God works his will in us and by which we collaborate with that work. For Peterson, the Psalms are our necessary toolbox to train us in how to pray. So it has been throughout church history.
Peterson makes one more startling claim. We think prayer is about talking to God. Rather, he believes the Psalms are about answering God. Instead of our seeking God, God comes to us and speaks amidst our sin, our despair, or even our gratitude. The Psalms coach us in answering God, leading us into true conversation with God.
Before taking us through several Psalms that answer God in various ways, Peterson addresses some basic realities about the Psalms. They are not only texts, they are prayers written as poetry. As such, they take us into the depths of both God and ourselves, giving voice to the inchoate. They are not primarily about understanding ourselves. Rather, they are about addressing the one God who has everything to do with our lives. Furthermore, they are embedded in a canon of sixty-six books, part of a larger story of the People of God. Finally, although we often pray on our own, these are prayers of a community. When we pray these, we are praying with others, across the world and across the centuries.
Peterson begins at the beginning, with the “pre-prayers” of Psalms 1 and 2. Psalm 1 emphasizes meditation on Torah as the roots of our life, our prayers. Psalm 2 then leads us into adoration of the Lord and his Anointed, his Messiah, contrasted with the rulers of this world. Then as he unfolds Psalm 3, Peterson focuses on language. He contends language takes three forms, I being the language of intimacy and relationship, II the language of information, and III, the language of motivation. The Psalms are about Language I. Psalm 3 illustrates this with its cry against enemies, its expression of trust, its cry for salvation. No abstractions here but rather the language of urgent and intimate relationship.
In the following chapter, Peterson reminds us of how Psalms are set in a story–the David story, the bigger story of Israel, and ultimately a story of which we are a part. Both poetry and life have rhythms. Peterson observes for us the rhythms of evening and morning in Psalms 4 and 5. Psalm 4 begins the day in the evening and our rest in God’s care, followed by Psalm 5, with our rising in the morning to God’s work for us in the day. Then Peterson jumps to Psalm 18, observing how God teaches us to pray by metaphor. God is strength, rock, fortress, deliverer, shield, horn, and stronghold. Prayer is not gnostic. God is described but not idolized in material terms, not in spiritual abstractions.
As noted earlier, the Psalms imply a praying community. Peterson notes the liturgical notations in many Psalms. When we pray in community, we recognize that the one who summoned us is in charge. The Psalms are liturgy, but this hardly means bland as we speak the sharp-edged expressions of desperation, repentance, longing, and wonder. Then Peterson turns to the most sharp-edged psalm many of us would excise if we could, Psalm 137, with its dashing of little ones against rocks. The focus is on enemies, and Peterson argues we need to pray our hatred of our enemies before we get to the place of loving them. So this is a Psalm we desperately need.
The Psalms are about memory. We remember our creation, our implication in sin, the country of salvation. Hence, the Psalms give coherence to the disparate aspects of our lives. Finally, the Psalms end in an effusion of praise. We are thus reminded that the end of prayer, the end of life, and indeed, our destiny is the praise of God.
Thus, Peterson sums up the Psalms in ten words: Text, Way, Language, Story, Rhythm, Metaphor, Liturgy, Enemies, Memory, and End. I found that in the concision of these words and the chapters a clear scaffold on which to hang my praying of the Psalms. Peterson not only makes sense of the Psalms without a psalm-by-psalm commentary. He also gives us a primer on Christian prayer, both its purpose, and our primary instructional text. And in introducing the Psalms as the church’s prayer book, he invites us to rise from our merely personal and often idiosyncratic prayers, to pray with both ancient Israel and the church across the centuries.




























